Oil On Canvas, Real Flavor of Old Masters

All Nesterov, Mikhail 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
19636  
In Small and Secluded Convents, Nesterov, Mikhail
  		 In Small and Secluded Convents   1915 Oil on canvas The Artistic Museum, Odessa
19637  
Portrait of Elizaveta Kruglikova, Nesterov, Mikhail
  		 Portrait of Elizaveta Kruglikova   1939 Oil on canvas The Russian Museum, St. Petersburg.
19635  
Portrait of Olga Nesterova, The Artist's Daughter, Nesterov, Mikhail
  		 Portrait of Olga Nesterova, The Artist's Daughter   1906 Oil on canvas The Russian Museum, St. Petersburg.
80974  
Taking the Veil, Nesterov, Mikhail
  		 Taking the Veil   between 1897(1897) and 1898(1898) Medium Oil on canvas cyf
19633  
The Vision to the Boy Bartholomew, Nesterov, Mikhail
  		 The Vision to the Boy Bartholomew   1889-90 Oil on canvas The Tretyakov Gallery, Moscow.
19634  
The Vision to the Boy Bartholomew, Nesterov, Mikhail
  		 The Vision to the Boy Bartholomew   1889-90 Oil on canvas The Tretyakov Gallery, Moscow.
85923  
Tzarevich Dmitry, Nesterov, Mikhail
  		 Tzarevich Dmitry   Oil on canvas, The Russian Museum, St. Petersburg, Russia. Date 1899(1899) cyf
Nesterov, Mikhail
Russian, 1862-1942 Russian painter. From 1877 to 1881 and again from 1884 to 1886 he studied at the Moscow School of Painting, Sculpture and Architecture under the Realist painters Vasily Perov and Illarion Pryanishnikov. Between 1881 and 1884 he worked under Pavel Chistyakov (1832-1919) at the Academy of Arts, St Petersburg. At the estate of Savva Mamontov at Abramtsevo he met the most influential painters of the period, then at the epicentre of the development of Russian Art Nouveau. Nesterov sought to combine this style with a deep Orthodox belief; however, in his desire to revive religious art he was influenced more by French Symbolism, particularly by Bastien-Lepage, than by old Russian icon painting. All of Nesterov's canvases are marked by a lyrical synthesis between the figures and their landscape surroundings, as in Hermit (1888-9; Moscow, Tret'yakov Gal.), which shows the stooped figure of an old man against a northern landscape of stunted trees and still water. The large oil painting Vision of Young Bartholomew (1889-90; Moscow, Tret'yakov Gal.) depicts the legend of the childhood of the Russian saint Sergey of Radonezh. A monk appears to the young Bartholomew (the future St Sergius) and prophesies a glorious future for him.



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